#10 DISKETTE DESTRUCT

wArNiNg: Sample packs #10, #16, #19, & #21 share a pool of percussion-leaning samples, divided by format into two loop packs (#19 & #21) and two one-shot packs (#10 & #16), with the samples assigned arbitrarily within each format.

Feral drums, goblin-punches, attacky thwacks, & bonkers bits, begging for beats, accents, & wood chippers, simply to become beautiful. Make them beautiful.

DAW shit, get hit. Forged from processed bits & pieces of literally everything that exists. It might be metal or plastic, or it might be some kind of software trying to pose as metal or plastic. Or plasma. 

Where to even begin with these FILES. Sensory words might make sense. Cracked? Damp? Twitching? Glassy? Stuttering? Smeared? Glowing? Bursting? The pieces of your drum set & first keyboard still have after moving 3 times run through a Wonkavision machine.

Most percussive one-shot packs with a thousand samples in them come rife with kicks, snares, hats, & cymbals. Well, this pack has all that, depending on your definition of “kicks,” “snares,” “hats,” & “cymbals.” Actually, let’s just assume your definition is probably pretty narrow-minded. That could be why this pack is your cure, your answer to true success.

Great for percussive creativity in any genre. & I mean any. If you’re not afraid. Be not afraid! Even one unusual transient can transform a beat that would otherwise feel only half-alive. Speaking of half-alive…these sounds were largely sourced from virtual modular synthesis, various old keyboards in various internal electronic states, found sound, & uhhh some other stuff, all mangled or transformed in so many different ways that you basically will end up in the ER from option paralysis.

1,120+ kicks, snares, hats, percussion, impacts, glitches, & more, including variations 🟡 760+ MB 🔴 24-bit 🔵 48kHz

CREDITS

• Audio production, text, layout: Angel Marcloid
• Artwork: Matthew Austin
• Gradient queen, art prep: Megan Lloyd
• Audio QC & editing: Owen Schafer
• Demo video: Daniel Lynch